Pelicans fly through the air, dive into the ocean but sometimes they just want to sit and be.
They are very chilled out birds but it was a triumph for me to capture these images without disturbing their rest.
Dixon Lanier Merritt (1879–1972) was an American poet and humorist. He was a newspaper editor for the Tennessean, Nashville’s morning paper, and President of the American Press Humorists Association. He penned this well-known limerick in 1910.
A wonderful bird is the pelican,
His bill will hold more than his belican,
He can take in his beak
Enough food for a week
But I’m damned if I see how the helican!
A funny old bird is a pelican.
His beak can hold more than his belican.
Food for a week
He can hold in his beak,
But I don’t know how the helican.
The limerick was inspired by a post card sent to him by a female reader of his newspaper column who was visiting Florida beaches. It is often misattributed to Ogden Nash and is widely misquoted as demonstrated above. It is quoted in a number of scholarly works on ornithology, including “Manual of Ornithology: Avian Structure and Function,” by Noble S. Proctor and Patrick J. Lynch, and several others.
Today it’s time to play with scale and observation – here’s a macro picture I’ve taken of a small one cent coin.
From this angle it looks extremely large and if you didn’t know how small an actual one cent was in real life, your mind could easily be fooled into believing this coin is much larger than it really is.
Some photos are significant not because of what’s depicted, but because of the mood they create. They communicate an idea that transcends the actual subject of the image.
Here’s a photo that conveys a sense of mystery. Can you tell what it is?
In case you need a clue – it’s an Alligator lurking just below the water – it was extremely large and very close. It’s very well camouflaged against the stones and quiet. He had swam up close without me even realizing.
Photography means “drawing with light,” and when you snap a picture with your camera, you use and record light to create an image.
A front-lit subject faces the light source and is even-lit and flat, primarily without shadows. Front light is the most straightforward to work with, but isn’t as dramatic.
Side light is fun to experiment with, especially for portraiture, fine art, and architecture.
When you light a subject from the side, the mix of light and shadow shows more depth and reveals textures, patterns, and complexities (even flaws) in the shot. It can create unexpected results, and be more dramatic.
I was extremely lucky to capture this photo of our sun. The phenomenon is called a Sun Halo or 22° Halo.
Among the most well known halos is the 22° halo, often just called “halo”, which appears as a large ring around the Sun or Moon with a radius of about 22° (roughly the width of an outstretched hand at arm’s length).
The ice crystals that cause the 22° halo are oriented semi-randomly in the atmosphere, in contrast to the horizontal orientation required for some other halos such as sun dogs and light pillars. As a result of the optical properties of the ice crystals involved, no light is reflected towards the inside of the ring, leaving the sky noticeably darker than the sky around it, and giving it the impression of a “hole in the sky”. The 22° halo is not to be confused with the corona, which is a different optical phenomenon caused by water droplets rather than ice crystals, and which has the appearance of a multicolored disk rather than a ring.
A good photographer is a constant observer: always watching and studying a scene, from patterns in city traffic to movements in nature. A photographer notices big, sweeping changes — like the sky at dusk — but also the tiniest details.
Exploring the outdoors, with camera in hand, is an opportunity to look for natural lines that lead our eyes to different parts of a frame. Envision the bend of a stream, or the curve of a petal: how can you use these lines in your composition? If you see strong vertical, horizontal, or diagonal lines, can you play with the orientation to create a more dynamic composition?